Details
Description of Item
Length of Stupa : 9.05" Inches / 23 Cms
Width of Stupa : 4.84" Inches / 12.3 Cms
Weight of Stupa : 1472 Gms / 3.246 lbs
ProductCode : STUPA0745
A stūpa (Sanskrit: स्तूप, "heap") is a mound-like or hemispherical structure containing relics (such as śarīra – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. A related architectural term is a chaitya, which is a prayer hall or temple containing a stupa.
In Buddhism, circumambulation or Ladakh shina has been an important ritual and devotional practice since the earliest times, and stupas always have a pradakh shina path around them.
Nepal is one of the best countries sought after for wooden handicrafts. Almost all the temples here display a high quality of craftsmanship which is yet to be found in any other part of the world. Here in this section, we are trying to collect the best Nepali wooden crafts available.
The legends surrounding the life of the Buddha have been the principal sources of inspiration for the creators of Buddhist art. A knowledge of these is needed for a meaningful insight into the nuances of Buddhist art since each stage of the Buddha's many existences plays a part in the development of this art.
The young prince Gautama Siddhartha was born into the ancient Sakya clan, whose symbol was the lion; hence he is often known as "Sakyamuni" (the Sage of the Sakya), or as "Sakyasimha" (the Lion of the Sakya). His father belonged to the warrior caste. Soon after the young prince's birth, a wise sage named Asita predicted that the child would grow up to be a holy man, rather than following his father as ruler. Suddhodana, the father of Gautama, tried to prevent this from happening by making sure that the prince lived a sequestered life of ease and luxury in the royal palace, ignorant of the world outside.
Even to this day, Buddha is represented with extended earlobes, now empty of adornment, but which were once stretched out of shape by the weight of the costly jewelry he wore before renouncing his princely status.
The Buddha image, which completely revolutionalised, by its great dynamism, unimaginably diversified iconography, massive scale and unique spiritualism, the art scenario in ancient India, seems to have evolved upon human mind during the lifetime of the Buddha himself, although this image of mind took some six hundred years to emerge into stone or clay-like mediums. As the Buddhist tradition has it, even during Buddha's lifetime, the idea of making his images persisted in his devotees' minds. The widely quoted legend of king Udayana, commissioning Buddha's image to represent the Great Master during his absence and that of Anathapindaka praying Buddha to allow at least the images of Bodhisattvas, suggest that his followers contemplated the possibility of covering their Master's absence by his anthropomorphic representations even before the Mahaparinirvana.
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